Mimarlık Bölümü Yayın Koleksiyonu
Permanent URI for this collectionhttps://hdl.handle.net/20.500.12416/397
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Article Citation - WoS: 2Citation - Scopus: 1A Simple Selection Method of PV Systems for University Campuses(Gazi Univ, 2023) Harputlugil, Gülsu Ulukavak; Bara, Marıam; Ulukavak Harputlugil, GulsuThis paper briefly outlines part of the research work being carried out on the application of the photovoltaic systems to cover universities’ electrical energy needs, with due consideration to the technical, architectural, economic, social. and legal aspects and impacts of this application. The paper considers optimizing the PV system selection objectives and methodology with a case study application. at a university campus in Ankara, Turkey. The main objective here is to develop a practical simple method of selecting an optimum PV system that gives the maximum energy yield possible in a certain period of one year, with the minimum specific energy cost per kWh, where a multiple-variable multi-criteria decision-making making method is applied, to help designers and system engineers in selecting the optimum system. The developed method is demonstrated in the example of the typical case, where the recommended PV system was turned out to be at an Azmuth angle of 0 degrees, the PV technology was monocrystelline Silicon, the annual electrical energy yield per 100 m2 of PV modules surface area 22.4 MWH/Year, the specific electrical energy cost was 0.15 Euos/Kwh, as a first merit option, making a difference of around 13% of saving compared with the 10th last option. The work concludes that a viable PV application is feasible, encouraging its application in various campuses provided that comprehensive planning and careful considerations are given to the related aspects.Article An Architectural Reading of Zamyatin’s Intersectional Elements in the Novel “we”(2021) Çavdar, Rabia Çiğdem“We” was written by Russian novelist Yevgeny Zamyatin in 1921 after the Soviet Revolution. To be at the edge of the conflicts was scrutinized at the novel, in which the protagonist, labeled as D-503, having a tentative position at the well-defined ground by the power which presented itself as the truth or the law. The narration was constructed via the diary of protagonist; how D-503 perceived the paradigm, which he had lived in, what kind of conflicts and contradictions he had been living with the system was questioned. Zamyatin chose very specific architectural elements to explain and criticize the dominant paradigm of the era -early 1920’s, and the periphery of that dominancy; like Green Wall, Glass Wall, logical labyrinth, cube square, and etc. These intersectional elements were constructed as in the form of blurred voids in order to unfold the ideological positions of the written period of the novel. The materialization and meaning of the walls, could be read as dialectic conceiving of how Zamyatin scrutinized both the revolution and the paradigm. As being a dystopia, the novel “We” criticizes the idealized beliefs that were presented as transparent, lucid and conductive.Article A Neo-Structuralist Perspective on Architectural Theory of Post-Truth Era: Re-Constructing the Architect-Subject(Yildiz Technical Univ, Fac Architecture, 2022) Cavdar, Rabia CigdemThe fundamental aim of the article is to scrutinise the transformations and yet pseudo-disappearance of architectural theory with an archi-theoretical gaze. It is an attempt to reread/ write the architectural theory of the 21st century in the shade of the claim that architectural theory was dead. It is obvious that not only in architecture but also in all social-life structures, free-floating meanings began to invade the totality; every concept that constitutes societal life was dislocated after the digital turn. Concepts began to be depicted with the prefix 'pose; such as post-historical, post-humanist, post-political, post-ideological, post-theory, and even, 'post-truth'. Under these circumstances, the main argument of the article is that architecture could be run as a 'point de capitone' -in Lacanian terminology-, between the subject -described as the sublime object of ideology by Zizek- and the ideology; the role of architecture is to work as a stabiliser on/between the liquid surfaces/grounds. In the context of the main argument, the article is structured on three conceptual domains, which are that ideology, subject and architecture. Architecture as a point de capitone has a significant role in the reconstitution of incommensurable dialectic in the 'redoubling procedure; which works for both recreating the lost otherness, and providing social antagonism.Article Ifi Interiors Deklarasyonunun Retorik Analizi(2023) Demırbas, Guler; Demirbas, Ozgen Osman2011 yılında; Uluslararası İçmimarlar/Tasarımcılar Federasyonu (IFI), bir dizi çalıştay, yuvarlak masa tartışmaları, think-tank oturumları ve çeşitli alanlardan yüzlerce profesyonelle yapılan toplantıların ardından, iç mekan disiplininin bir tezahürü olarak ortaya atılan “İç Mekanlar Deklarasyonu” adlı çarpıcı bir belgeyi tanıttı. Bu manifesto; değer, ilinti, sorumluluk, kültür, iş dünyası, bilgi ve kimlik gibi önceden belirlenmiş yedi kavram aracılığıyla iç mekan olgusuna odaklanmaktadır. IFI İç Mekanlar Deklarasyonu (IFI ID), amacı ve değeri aracılığıyla iç mekan disiplinini ortaya koyan fikir birliğine dayalı bir vizyon/misyon beyanıdır. Anayasa gibi detaylı açıklayıcı bir belge ortaya konulmaya çalışmak yerine, içmimarlık üzerine uluslararası düzeyde daha genel ve kısa bir belge konulmaya çalışılmıştır. Çalışma, bu tarihsel belgeyi deklarasyonun söyleminin dayandığı yedi özel kavram üzerinden diğer birçok söylem ve kuramla bağlantılı olarak incelemeyi ve anlamayı amaçlayan retorik bir analizle yeniden ele almayı amaçlamaktadır. IFI İç Mekanlar Deklarasyonu'nun kültürel ve bölgesel anlamda yoruma açık olduğu ancak ortak bir anlayış olarak iç mimarinin tüm faaliyet, işlev ve eylemleriyle yaşamı ve insanlığı desteklediği gerçeğini özel olarak ele aldığı sonucuna varılmıştır.Article Kitsch'in Estetik Değerlendirmesi: Kant'ın “estetik Yargının Eleştirisi” Adlı Eseri Üzerinden Kötü Beğeni Hakkında Bir Okuma(2023) Urey, Zeynep Cıgdem Uysal19. yüzyıldan sonra bir modern estetik terimi olarak ortaya çıkan kitsch kavramı, “kötü beğeni” olarak tanımlanan estetik bir değer yargısına işaret eder. Estetik yargı ve beğeni konularının sistematik olarak ilk kez 18. yüzyılda Immanuel Kant tarafından “Estetik Yargının Eleştirisi” adlı eserinde ele alındığı kabul edilmektedir. Bu çalışma, Kant'ın, “Estetik Yargının Eleştirisi” adlı eserinde sunduğu estetik yargı, beğeni ve kötü beğeni kavramlarına ilişkin argümanlarını okuyarak, bir estetik değer yargısı olan kitsch kavramını yeniden değerlendirmeye çalışmaktadır. Kitsch kavramının kötü beğeni olarak Kant'ın yazılarında izini sürmek, olabilecek kesişim veya çelişkileri ortaya koyacak ve terimin felsefi kökleri hakkında bir kavrayış sağlamak açısından önemli olacaktır. Çalışma, bu amaç doğrultusunda söylemsel bir analiz gerçekleştirmekte ve sırasıyla, bir estetik beğeni yargısı olarak kitsch kavramını; Kant'ın “Estetik Yargının Eleştirisi” eserinde ortaya koyduğu şekliyle estetik yargı ve beğeni kavramlarını; ve kitsch kavramıyla bir karşılaştırma yapmak amacıyla aynı eserde ortaya koyulan şekliyle “kötü beğeni” kavramını incelemektedir. “Estetik Yargının Eleştirisi”nde kötü beğeninin tanımını arayan inceleme, Kant'ın estetik yargıda albeni ve duygunun rolü üzerinden tasvir ettiği “kötü beğeni” koşullarının, duygusallık ve dikkat çekme arzusu temelinde kitsch'in özellikleriyle örtüştüğünü göstermektedir. Sonuç olarak, Kant'ın “Estetik Yargının Eleştirisi” adlı eseri üzerinden kötü beğeni hakkında yapılan bu okuma, duygusallık vurgusu, veya albeni ve duyguların gösterişli kullanımı bakımından, estetik bir değer yargısı olan kitsch teriminin felsefi köklerinin, terimin ortaya çıkışından çok önce var olduğunu ortaya koymaktadır.Article A Research on Comparison of Elevator Traffic Analysis Methods in Educational Buildings(Gazi Univ, Fac Engineering Architecture, 2023) Harputlugil, Timucin; Deligoez, Dostcan; Deligöz, DostcanPurpose: Regarding elevator design in educational buildings; It is aimed to investigate the legal framework, to integrate dynamic simulation programs to design process, to compare traditional and dynamic simulation methods, to evaluate the adequacy of elevator features specified in the legislation and to determine the optimum scenarios according to the minimum requirements.Theory and Methods: Based on the findings of the literature review, which examines the issue of elevator traffic analysis together with the legislation and regulations, the carrying capacities of the elevators in the educational buildings designed by the Ministry of National Education (MNE) are tested. The stability of the system is tested by analyzing the conditions where only the disabled, disabled and building workers can be used together and all building users can use the elevators with the dynamic simulation method (with Elevate Software). The limits of the system are determined based on the waiting times during the peak usage periods. The findings of the study are evaluated according to the waiting times determined by CIBSE Guide D and the Chamber of Mechanical Engineers followed by the discussion of the outcomes.Results: The issue of elevator design has been overlooked in educational buildings, and a comprehensive elevator traffic analysis method has not been defined. For the effective use of all occupants, elevator design should be handled comprehensively with considering potentials of dynamic simulation method.Conclusion: According to the findings of the study, it is noted that the number and capacity of elevators in the legislation for educational buildings are determined only for minimum conditions and for disabled users. In addition, the legislation (considering calculation methodology) is not specific for educational buildings but related with buildings in general with public use. Considering the occupants, and their profiles of the educational buildings, a more comprehensive traffic analysis with the dynamic simulation method may enable the elevators to be designed and to be used more efficiently.Article Artificial intelligence applications in earthquake resistant architectural design: Determination of irregular structural systems with deep learning and ImageAI method(2020) Bingöl, Kaan; Er Akan, Aslı; Ömercioğlu, Hilal Tuğba; Er, Arzu; Ormecıoglu, Hılal Tugba; Akan, Aslı ErAlthough the architectural design process is carried out with the collaboration of experts who are experienced in many different areas from the main preferences to the detailing stage, the major decisions such as plan organization, mass design etc. are taken by the architect. Computer Aided Design (CAD) programs are generally effective after the major decisions of the design are taken. For this reason, it is common for the main decisions, taken during the design process, to be changed during the analysis of the structural system. In order to prevent this, in the early stages of architectural design, earthquake system awareness and structural system design should be included as an design input; as, the failure of the structural system which did not considered well in the architectural design phase leads to unexpected revisions in the implementation project phase and thus leads to serious losses in both time and cost. The aim of this study is to create an Irregularity Control Assistant (IC Assitant) that can provide architects general information about the appropriateness of structural system decisions to earthquake regulations in the early stages of design process by using the deep learning and image processing methods. In this way, correct decisions will be made in the early stages of the design and unexpected revisions that may occur during the implementation project phase will be prevented.Article Citation - WoS: 18Analytic Hierarchy Process (Ahp) as an Assessment Approach for Architectural Design: Case Study of Architectural Design Studio(Konya Technical Univ, Fac Architecture & design, 2018) Harputlugil, TimucinArchitectural design is complex and can be defined as an effective decision-making activity based on problem solving. This complexity is not based on content and volume of problems, but also heterogeneity and uncertainty of information provided for assessment, subjective approaches, and a large number of the criterion for assessment. The aim of this research paper is to contribute to the researches for assessment of architectural design by providing a novel approach based on Analytic Hierarchy Process (AHP) - a Multi Criteria Decision Making (MCDM) method. The approach supports an effective comparative analysis among the alternative projects based on determined criterion. The methodology is implemented with a case study in one of the design studios of Department of Architecture of Cankaya University on final design projects of a group of students with observation, research and assessment. The data used in the assessment is collected through interviews and surveys which is analysed by the help of a software. Based on the outcomes of the AHP-based approach, it has been seen that this approach can provide numerical results that are comparable, measurable, gradable, consistent and can be reported separately for each assessor. However, it has also been found that the AHP-based method is suitable for evaluating only a limited number of projects. With the research, and by setting thresholds levels for evaluation, it has become clear that successful and unsuccessful projects can be separated for achievement and competence. Consequently, it has been observed that the approach has considerable potentials to be further developed to evaluate architectural projects comparatively, especially for architectural students' projects, and other architectural projects such as architectural design competitions.